N. T. Salmon

bUrNiNgBlUeSoUl (29’09”)

While listening to music, we are entirely on our own, entirely private. But what if we are observed while doing it, placed on display? This installation focuses on just this intersection between private and public. Constantly encircled by the media and market, the private is an endangered category in our society that is threatened with extinction. Interactively crossing between media, this work gives contemporary expression to old dreams of love.
This Installation was originally shown at the Pèlerinages Kunstfest, E-Werk, Straßenbahndepot, Weimar, 2005.
Soundtrack: Jan Brüggemeier

(Photo: Claus Bach; Translation: Salmon)





		NAOMI TEREZA SALMON
	bUrNiNgBlUeSoUl (29’09”) While listening to music, we are entirely on our own, entirely private. But what if we are observed while doing it, placed on display? This installation focuses on just this intersection between private and public. Constantly encircled by the media and market, the private is an endangered category in our society that is threatened with extinction. Interactively crossing between media, this work gives contemporary expression to old dreams of love. This Installation was originally shown at the Pèlerinages Kunstfest, E-Werk, Straßenbahndepot, Weimar, 2005. Soundtrack: Jan Brüggemeier (Photo: Claus Bach; Translation: Salmon)